Kriton Beyer (kriton b.) is a Greek-German musician and composer, who – as a performer and improviser – mainly works with the harmonium and the daxophone. He studied musicology in Greece where he played with a variety of local music groups. In 2004 he moved to Berlin, where he got heavily involved in the improvised music scene of the city and has performed extensively throughout Europe as well. Since then he has worked with many musicians like Axel Dörner, Tristan Honsinger, Tomomi Adachi, Kresten Osgood, Richard Scott, Floros Floridis, Matthias Bauer, Olaf Rupp, Antonis Anissegos, Nicola Hein, Els Vandeweyer, Liz Allbee and Harri Sjöström. Kriton Beyer is also a member of the electroacoustic trio “uproot”, the ensembles “id”, “Crosstalk Jitter” and the “Berlin Soundpainting Orchestra”. His compositions are usually characterized by conceptualism, while some of his more recent work focuses on pattern formation of sonic events in time continua. Kriton Beyer has also conceived and commissioned the music software CinePrompt®, which was specially developed for the use for live musical performance and live recording to films.

Kriton Beyer appears on all of the recordings of the Procrustean Bed’s Concert Series Recordings.

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